Bryget Chrisfield, Journalist
A lifelong love of music and writing consolidated when Bryget Chrisfield started penning live reviews for Inpress (now TheMusic) while studying Professional Writing & Editing at RMIT. After graduating, Bryget was initially employed as full-time staff writer before being promoted to Victorian editor of this national street press publication - now website - where she remained for over ten years. She is currently a freelance journalist - her byline appearing in publications including STACK, The Big Issue, The Music and Beat - and it is through interviewing musical geniuses that Bryget finds true happiness.
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Andrew Farriss: How 'Youthful Exuberance' & Being The 'Utility Guy' Informed His Country Turn
"Some people may have thought, ‘Oh, Andrew Farriss tried his hand at country, and it got too hard, so he ran away’... No, no, no, no, no…"
The Buckleys Part 2: ‘The Atmos Experience’, Getting Jack White's Permission & Murph’s Ongoing Legacy
The day after the global premiere of The Buckleys’ 'Take It As It Comes' documentary – which screened as part of 2022’s Byron Bay Film Festival – Bryget Chrisfield sat down for a chat with its director Grant James plus all three members of the sibling band – Sarah, Lachlan and Molly – inside the beloved South Ballina home of the late, great Chris Murphy; the precise location where he signed this talented, Clunes-based outfit to his label, Petrol Records.
The Buckleys Part 1: Movie Premieres, Recording In Nashville & Exclusive Signing News
Byron Bay Film Festival recently hosted the global premiere of The Buckleys’ new documentary, Take It As It Comes. The documentary’s director/honorary Buckleys member Grant James flew in from the States for the post-screening Q&A. The following day, Bryget Chrisfield sat down for a chat with Grant plus all three of The Buckleys – Sarah, Lachlan and Molly.
‘I Couldn’t Believe My Eyes’: Tim Freedman Talks The Whitlams, Black Stump Band
"I’ve been running around the country for seven weeks watching people sing together around the piano and, I can tell you, it beats Netflix every time.”
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